Erika Verzutti (São Paulo, 1971) is a key artist for understanding sculpture practice today, both in the Brazilian panorama and internationally. Her thought- provoking forms explore new routes for the medium, with renewed attention to the origin and materiality of sculpture, its varied references, and its formal intelligence. Using different materials, such as bronze, concrete, stone, and papier-maché, Verzutti’s works are sensual and tactile, both rough and refined, evoking animals and plants, landscapes and minerals, everyday objects and objects of artfrom Tarsila do Amaral to Constantin Brancusi, from René Magritte to Piero Manzoni. Often with an uncanny character, Verzutti’s sculptures give themselves up to unpredictability, sometimes with a certain degree of humor, refusing to accept pre-established definitions or traditions hence the catalogue’s subtitle: The Indiscipline of Sculpture.